Plus: the myth of the food desert; and how bots came to take over our lives.
View in browser | Update your preferences

The New Yorker Daily

Monday, July 27, 2026

The New Yorker’s award-winning journalism is made possible by our subscribers. Become one today »

Gadi Eisenkot is promoting a politics of service, reform, and national repair ahead of the elections this fall. But his vision of change has clear limits. Plus:

• The myth of the food desert
• What even counts as a bot anymore?
• Antiquing with “The Odyssey” scene-stealer John Leguizamo

Photograph of the Israeli political candidate Gadi Eisenkot

Gadi Eisenkot. Photograph by Amit Elkayam for The New Yorker

David Remnick

David Remnick
Editor, The New Yorker

I recently made my fifth reporting trip to Israel since the Hamas terror attacks on October 7, 2023, and Israel’s brutal war in Gaza. The last time I was there, just over a year ago, Israeli Prime Minister Benjamin Netanyahu and his allies were proclaiming that the country had deployed its military to reshape the region; some even spoke euphorically of a “new Middle East,” with Hamas being soundly defeated, Hezbollah shattered, Iran’s nuclear capabilities “obliterated,” and more Sunni regional powers joining the Abraham Accords. None of this rhetoric acknowledged reality, much less the deaths of at least seventy thousand Palestinians, around twenty thousand of them being children.

This time, the delusions were even more apparent. Donald Trump and Netanyahu have seen all their ambitions for regime change in Iran result in abject failure—and they’ve been left with a conflict with no end in sight. The catastrophe in Gaza, as well as the increased settler violence against Palestinians in the West Bank, have badly damaged Israel’s international standing and eroded political support within the United States on both the left and the right.

I went to Israel this time around in large measure to get a sense of the imminent elections, which are scheduled for October 27th. In recent weeks it has become clear that Netanyahu, who has been in power longer than any other Israeli Prime Minister, faces a formidable, if humble challenger. Gadi Eisenkot, a retired Army general and the child of Moroccan immigrants, has pledged to restore Israel as a “Jewish, democratic, progressive, and liberal state.” He has tacked to the ideological center, seldom criticizing the Gaza war and avoiding the language of the two-state solution, in an attempt to peel off “soft right” voters from Netanyahu. Eisenkot’s political story is in many ways defined by family tragedy. His son Gal, a combat medic, was killed in Gaza by an I.E.D. while on a mission to retrieve the remains of two hostages. The more time I spent talking with Eisenkot, and watching him on the campaign trail, the clearer it became to me that he reflects something back to many Israelis that they see in themselves, and that his deepest connection to voters comes from his own grief.

While Eisenkot’s fortunes appear on the rise, Netanyahu is hardly out of range. Since coming to power for the first time in the nineteen-nineties, he has fought off political extinction many times. He has already begun a ruthless campaign to paint Eisenkot as a left-winger at a moment when the country has moved, in the main, to the right. Just last week, Netanyahu’s campaign put out an A.I.-generated video that most voters saw as an attempt to both belittle the loss of Eisenkot’s son and smear Eisenkot as an ally of the Arab parties, which represent a sizable portion of the Israeli population. A personal attack and an act of race-baiting all in one fleeting video. A neat trick. And there are still more than three months to go in the campaign.

In interviews with Israeli politicians, including three former Prime Ministers, as well as Israelis and Palestinians from Tel Aviv to Jerusalem to Hebron, in the West Bank, it was clear to me that the stakes of the election could not be greater. Many well-educated and innovative young people have threatened to leave the country if Netanyahu wins. “For the first time in my life, I am no longer confident that the country will survive,” Assaf Sharon, a professor of philosophy at Tel Aviv University, told me. “I always hated this alarmism. But Israel has cornered itself into a position in which there is a tangible threat to the survival of the state.”

Read or listen to the story

This Week’s Issue
A brightly colored summer scene of a woman taking a break in the summer heat.

Cover by Pierre-Emmanuel Lyet

The genius behind “Jackass”
Molly Young
on what makes Johnny Knoxville tick

How to invent a color
Rivka Galchen
on a strange advancement in the science of vision

The N.R.A vs. the widow
Mike Spies
on a woman who faced the gun-suicide crisis up close

Plus: Kelefa Sanneh on the myth of the food desert; new fiction by Sheila Heti; and more.

Explore the issue

More from The New Yorker
A person next to armor.

Illustration by João Fazenda

  • John Leguizamo steals the show in Christopher Nolan’s “The Odyssey.” Back in New York, he bought the director a two-thousand-year-old thank-you gift.

  • For more on Benjamin Netanyahu’s shifting relationship with the U.S. government, read David D. Kirkpatrick’s reporting on the Biden Administration officials who regret their failure to rein in the Israeli Prime Minister.

  • “There is little evidence to support the idea that bringing supermarkets to neighborhoods that lack them has a measurable effect on what residents eat,” Kelefa Sanneh writes. Was the idea of a food desert just a myth?

  • During the 2016 election, much of the country was introduced to the concept of internet bots. Now it feels as if they’ve taken over our lives.

  • The most-clicked item from this weekend’s newsletters was about whether the Democrats have reached their Tea Party moment.

Help shape the future of The New Yorker. Share your thoughts by taking our survey »

An illustration of a crossword puzzle wrapped around the arms of a person.
Puzzles & Games
  • Today’s Crossword Puzzle: Country that’s home to thousands of native potato varieties—four letters.

  • Catalogues: Can you sort the items into the correct order?

  • Shuffalo: Can you make a longer word with each new letter?

  • Laugh Lines: Test your knowledge of classic New Yorker cartoons.

This Week’s Caption Contest
Cartoon showing two knights looking at a sword full of swords.

Cartoon by Lars Kenseth

Submit your best caption for this cartoon. Your caption will be rated by readers, like you, in the next round.

See more cartoons

P.S. Clips of Emeril Lagasse’s old cooking show, “Emeril Live,” have found a new audience on social media. The show’s longtime cameraman once let Bill Buford in on the secret of his trade: “The trick is to film during the lunch hour and get closeups of the audience—they’re crazy with hunger.” Bam! 🧂

Ian Crouch contributed to today’s newsletter.

Illustration of stacked coffee mugs and a person reading a book.

Get more New Yorker in your inbox.

Was this forwarded to you? Sign up to get the daily. Or explore more newsletters on books, science, food, politics, and more.

You’re receiving this e-mail because you signed up for the daily newsletter from The New Yorker.

Manage your preferences | View our Privacy Policy | Unsubscribe

Copyright © Condé Nast 2026. One World Trade Center, New York, NY 10007. All rights reserved.