On the Michigan primary results. Plus: What makes a movie adaptation good?
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Wednesday, August 5, 2026

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What do last night’s primary results tell us about the most pressing questions facing the Democratic Party? Plus:

• The man who taught Trump everything
• Reinventing noir for the Epstein era
• Richard Brody asks: What makes a movie adaptation good?

Jon Allsop

Jon Allsop
A contributing writer covering politics

Earlier this week, I wrote that, in the eyes of many pundits, the Democratic primary for Senate in Michigan had become “the Platonic ideal” of a clash between the Party’s establishment moderates, who were backing Haley Stevens, and its populist progressives, who were lining up behind Abdul El-Sayed. Fittingly, the result—a squeaker of a win for El-Sayed, who led by less than a percentage point when the race was called this morning—looks close to the Platonic ideal of an inconclusive outcome. Certainly, the slim margin defied a sense, in the final days of the race, that El-Sayed was running away with it—an idea that El-Sayed did little to dispel. But block out the recent noise, and even this narrow win looks like a noteworthy achievement, as my colleague Jason Zengerle suggested earlier today.

Figure stands at a podium

Photograph by Sarah Rice / Bloomberg / Getty

In any case, a blowout for El-Sayed still wouldn’t have settled the complex question of what direction the Democrats should take. Zoom out a little, and last night’s results offer more good news for progressives, two of whom, William Lawrence and Donavan McKinney, won congressional primaries in Michigan against opponents perceived as being more moderate. Conversely, Wesley Bell, a congressman in Missouri backed by establishment bigwigs, easily defeated Cori Bush, a former member of the “Squad” whom Bell had also beaten in a primary two years ago. Last night’s victory for Bell was also a notable win for the powerful pro-Israel group AIPAC—which suffered a notable defeat in Michigan, where it had heavily backed Stevens.

Zoom out further, to assess this primary season as a whole, and, while it’s true that progressives have made inroads against more established figures across the map, it’s also the case that Chuck Schumer and other Party leaders have landed prize recruits in several key races. If anything, the closeness of the Michigan race could serve to remind El-Sayed just how much work he needs to put into coalition-building ahead of November. Already, in remarks before the race was called, he was talking of mending fences.

In those same remarks, El-Sayed rejected the conventional framing of his race altogether; voters, he said, do not walk around wondering where exactly they stand on some “left-right spectrum,” but, rather, “how I can afford my rent.” I’d quoted him saying something very similar in my recent article, which questions whether factional labels—and the word “moderate,” in particular—are all that useful in understanding this moment in the Democratic Party; indeed, whether they mean anything much at all. Granted, to some extent political shorthand can be intuitive, or at least a necessary evil, and, if any race this cycle truly pitted a “moderate” against a “progressive,” it was Stevens versus El-Sayed. But even this matchup grew more complicated the longer I stared at it. Looking at the results, it’s possible to draw a range of conclusions—from “Wow, the Democratic establishment is cooked!” to “Wow, the Democratic establishment might not be quite as cooked as we thought!” One answer, above all, is clear—the infighting will continue. Next stop: Wisconsin and Minnesota.

For more:

  • Abdul El-Sayed speaks to David Remnick: “I’m pretty damn pissed off on behalf of other people.” Read or listen to the full interview.

  • The Subaru Socialists and their younger cousins, the Great Disappointed, are steering the future of the Democratic Party. Jay Caspian Kang defines two new terms.

  • Are the Democrats having a Tea Party summer? Or is this the emergence of a new pragmatism? Benjamin Wallace-Wells considers the ways forward.

Editor’s Pick

How Roy Cohn Taught Donald Trump Everything

A close up of a person's face.

Photograph by Mary Ellen Mark

Roy Cohn played a key role in driving the Red Scare of the forties and fifties. Decades later, Kai Bird and Susan Goldmark write, he took Donald Trump, then an outer-borough striver, under his wing, and taught the reality star a few lessons: how to ignore the rules, do what you want, avoid a paper trail, rat out others to save yourself, and make up a good story for the news media. Read or listen to the story »

More from The New Yorker
  • The kerfuffle over Christopher Nolan’s fidelity to Homer’s Odyssey reflects major questions in the history of cinema. Richard Brody asks: What makes an adaptation good?

  • Stella Lefty, who sings her hit song “Boston” with a raspy Southern twang, grew up outside of Chicago. Is she a nepo baby? An industry plant? Or just another successful pop-country musician?

  • Ryan Murphy’s “The Shards” is a “Glee”-ified adaptation of Bret Easton Ellis’s metafictional thriller-slash-gay-awakening story, our critic writes.

  • The most-clicked item in yesterday’s newsletter was about Anthony Fauci’s “surreally mortifying” diary.

A figure carries a giant play button
Our Culture Picks
Man running down alley toward sunlight in Los Angeles.

Illustration by Clay Rodery

  • A book: Jordan Harper’s buzzy “A Violent Masterpiece” inverts the noir genre for the Epstein era.
  • Another book: “The Warmth of Other Suns,” by Isabel Wilkerson, is one of four vital books on the history of race in America recommended by the New Yorker staff writer Lauren Collins.
  • A song: Lucy Sante remembers when “Get Lucky,” by Daft Punk, conquered the world.
An illustration of a crossword puzzle wrapped around the arms of a person.
Puzzles & Games
  • Today’s Crossword Puzzle: Resident of the Lone Star State—five letters.

  • Catalogues: Can you sort the items into the correct order?

  • Shuffalo: Can you make a longer word with each new letter?

  • Laugh Lines: Test your knowledge of classic New Yorker cartoons.

Today’s Cartoon
Cartoon showing two people talking on a couch while watching TV news.

Cartoon by Ivan Ehlers

“It feels bleak now, but one day this will make a great true-crime documentary.”

See more cartoons

P.S. Is the inflatable tube man the defining symbol of America? 🇺🇸

Ian Crouch contributed to today’s edition.

Illustration of stacked coffee mugs and a person reading a book.

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